"It's done with mirrors!"
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A Fire Has Been Arranged was their third film appearance and their second feature. Released in 1935 in the depths of the depression, Flanagan and Allen are cast not as the affable hard-luck tramps of their hit songs, but as out-and-out criminals. They lie, cheat, and steal, and, moreover, they get away with it. At a time when the general public's respect for the Powers That Be must have been at a very low ebb, the sight of Flanagan and Allen directly and unequivocally flouting the law was apparently embraced in much the same way as the Marx Brothers' antisocial antics were stateside. Certainly, they're no less likable for it. The plot, in brief: Bud, Ches, and Hal Walters hide a valise of stolen jewelry in a hole in a field and, when released from prison a decade later, are horrified to find that a department store has been constructed on the spot. Ultimately, they are hired by the store's crooked manager (Alastair Sim in a juicy early role) to burn the place to the ground so he can collect the insurance. Lots of classic Flanagan and Allen here, most notably the much-celebrated "Whistle" routine. Note how much this routine relies upon Chesney as much as it does Bud. Ches's animated interplay with Bud is a far cry from the more understated support that Bud Abbott gave Lou Costello, but is no less skilled and, as far as I'm concerned, more fun to watch. Flanagan's rising sense of victimization is a riot.
Another brilliant moment for the team. Ches gets to display his easy-going yet mildly eccentric charm in this perfectly believable con. I wouldn't be half surprised to learn that F&A pulled this one off in real life. It seems much like the kind of schemes that Bud used to survive while traveling the US (on boxcars, no less) in the 'teens.
Just for the hell of it, here's Bud and Ches singing "Yesterday's Dreams" from the Crazy Gang feature Gasbags (1941). Yes, that's former Will Hay stooge Moore Marriott as the toothless old codger.
Labels: cinema, Flanagan and Allen
2 Comments:
I have a tape of DREAMING(1944),but I find their master/servant relationship(with Bud happlly accepting his lower class status)hard to take.Yes, I realize these were the waning days of the old class system and that Allen was a higher class than Bud, but I like to see them as a TEAM!
That scene at the bar is laugh out loud hilarious! You're right, it must have been something he pulled off in his wilder days.
If this had been Abbott & Costello, Bud would have taken both shots then somehow allow Lou to do the trick himself, knowing he would fail. That's why I prefer Flanagan & Allen.
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